My Mrs. Brown: A Novel - Couverture souple

My Mrs. Brown


EARLY ONE SEPTEMBER NOT long ago, a rural woman with a secret grief traveled to New York City in pursuit of a dream, to buy the most beautiful and correct dress she’d ever seen.

The occasion wasn’t a joy trip. Without tremendous effort before her trip, and a lot of luck, the dress was hardly anything she could have ever afforded. As for going to New York City, where she’d never been before? It was a terrifying prospect, dangerous and disorienting, but she did it.

The dress wasn’t at all what you might expect. It wasn’t a riot of feathers and chiffon. It wasn’t designed to catch a man or reawaken her youth. It had nothing to do with a paparazzi-lined red carpet or the glories of shopping, “It” bags, “It” designers, or must-haves. The dress—and the lady’s use for it—was something else.

This daring voyager was Emilia Brown, or Mrs. Brown as she was generally known in her hometown, Ashville, Rhode Island. She was sixty-six years old, a widow; if she was a scent, she was tea with honey, but if she was a color, she was a study in gray. Whether from the friction of living without life’s buffering luxuries and engaging ambitions, or by the reduction of dreams and expectations that comes with age: gray. Mrs. Brown was drained of color. Except for her green-brown eyes. If and when she smiled, well, it was like watching a rose open in one of those time-lapse films, and her eyes, spring flowers at twilight, lit up her face.

To say that she was overall gray isn’t to say she was a sad sight or threadbare. It’s just that in a world where status is measured in how much space one takes up and how much noise one makes—and noise takes up its own kind of space, as any pollution does—a quiet person like Mrs. Brown falls invisible.

Mrs. Brown was genteel. That’s not a word used much anymore, except maybe when people talk about some of the characters on PBS shows. As it relates to Mrs. Brown, it signifies a graceful way, someone free from vulgarity and rudeness. Aristocratic in a manner having nothing to do with money, fame, and celebrity.

Nor is saying that someone is genteel necessarily the same as saying that someone is humble. We put so much stock and pride in being humble these days that humility has become a brand, not a state of grace.

Mrs. Brown has a noble spirit—the honorable loneliness of the American grown-up. A life sustained by quietude and the energies of tolerance, kindness, courtesy, and acceptance. In a blustery world, it’s courageous to move quietly, claiming few, if any, treasures except one’s solitary dignity.

She was not a career woman, hadn’t been to college; she had always worked. Hers were always blue-collar jobs—a Thermos factory before it went bust, cleaning houses, babysitting, taking in washing and sewing. She was a very good seamstress, as was her mother, who had taught her how to sew and to make clothes using inexpensive Simplicity and Vogue patterns. Most recently her job was the cleaning up and helping out, six days a week, seven to seven, at Bonnie’s Beauty Salon on the main street in Ashville.

A good three hours from Boston, and at least five hours from New York, Ashville wasn’t a suburb of any city. Its residents relied on the local economy for their living, the stores, the businesses, and Guilford College, one of the oldest in the country. No one had gotten rich in Ashville in decades, but most felt that they were well compensated nonetheless by the lasting Currier & Ives patina of their village, founded in 1649.

Here Mrs. Brown was born, an only child. In Ashville she had met and married her late husband. Older by some ten years than she, Jack Brown was a fireman for the Ashville Fire Department. He died fifteen years ago. Heart attack in his sleep.

Everyone said it was the best way to go, never sick for a day then, pop—you up and leave this mortal coil. Everyone said Jack Brown had gone easier into his death than anything he’d ever done in his uphill life.

Mrs. Brown made do. Financially, emotionally, she made do. As one does.

She avoided excesses of any sort—shopping, overeating, drinking, feelings, and lottery tickets.

Especially lottery tickets. It wasn’t because she was risk averse, but because lottery tickets were bedazzlements possessed by expectation. Buying them overexcited the ladies at the beauty salon. Customers and employees alike, chattering a mile a minute, screaming to be heard over hair blowers, describing how and where they would spend the money. Then the next day, crashing so low when they didn’t win.

Mrs. Brown tried never to let a tear to drop. (Of course tears dropped, in private, late at night, in the morning light when shadows haunt.) If she never expected too much, she’d never be bankrupted by disappointment.

This was all very New England of her.

Mrs. Brown didn’t have a “bucket list,” and she never shopped to cheer herself up. She had her clothes for years and had made the majority of them—a few pairs of pants—gray, black, brown summer and winter weight—a couple of wool or cotton cardigan sweaters, cotton blouses—and wore them for the duration, repairing them when needed. Sewing cheered her up, and helped restore her universe to order, one concentrated stitch at a time.

And although she was good-looking enough—her Yankee slender, high cheekbones and her healthy skin, her hair always clean and brushed—she did not encourage anyone, including the gentlemen, to look.

She took care of herself, but never indulged. Even when Mrs. Brown was most tempted, when it would be so lovely not to cook—so wonderful in the dead of winter to walk home after work carrying a warm supper in her hands—she never bought the costly takeaway food from the Village Cheese Shop. No restaurant dining either. She always ate at home, always cooked at home.

Dull?

Mrs. Brown never took vacations. The big cities she had visited were Providence, one hour away, and Hartford, two hours away. As mentioned, she had never been to New York City, although, admittedly, sometimes those advertisements on the television for Broadway musicals were tempting.

Who Mrs. Brown was, her vocation if you will, was to be a good person and to live an ordered, simple life.

When a student at Guilford College came by Bonnie’s one day doing a survey about women’s rights, she asked Mrs. Brown if she considered herself a feminist.

Mrs. Brown smiled and answered that, yes, she did.

The college girl seemed surprised.

“Liberated not always by circumstances that I’d have chosen for myself,” Mrs. Brown said.

“What’s your first name?” the student asked so she could put it on her survey sheet.

“Mrs.,” answered Mrs. Brown.

“Your first name is . . .”

“Mrs.”

The college student didn’t know how to respond. “Mrs.?” She wouldn’t forget Mrs. Brown anytime soon.

Keeping grateful was essential to Mrs. Brown. But she didn’t need to write a “gratitude list.” Gratitude was an energy she could summon up on a daily basis, grateful for what she had and for what remained after so many years of the rumble and the tumble.

One major contributor to her gratitude was that she owned her own house, a cozy two-unit wood-shingled nest built at the turn of the twentieth century, when Ashville’s mills and factories were thriving. Sure it was just like all the other houses on her street—except this one was hers. She thought it lovely, all she needed or wanted. And because Ashville was built on the steep, mossy banks of the Fogg River, when the leaves fell in autumn, Mrs. Brown could see the slate and brindle–colored river from her second-floor windows.

The two-story house was divided into two units. Both units had identically proportioned front rooms, kitchens, a bath, and a bedroom downstairs, and upstairs two more small bedrooms. The units shared a front stoop.

Many years ago Mrs. Brown had rented the second unit to Sarah Fox, a widow whose circumstances were similar to Mrs. Brown’s. Except Mrs. Fox’s purview, you might say, was wider.

Sarah Fox had been a proud salesperson at the Ashville Bookshop, until it went out of business several years ago. This is where the students from Guilford bought their textbooks until shopping online proved easier for them, and this is where Mrs. Fox, who started working at the bookshop when she was a high school junior, tried to be more than just the local source for the latest potboilers and bodice rippers but also a beacon for the advancement of literature, even the most controversial, dating back to that frigid Saturday morning in 1969 when she insisted bravely to the waspish owner of the store that Mr. Philip Roth’s novel Portnoy’s Complaint should not only be available upon request at the cash register but also displayed proudly in the front window of the store.

Mrs. Fox felt it was always important to be up to speed on not just the latest books but also movies, television, and current events. She’d been to New York several times. She longed to go to Paris before she died.

Most recently, she had gone all the way to Vancouver, Canada, when Clara, the eldest of her two children, daughters in their forties now—had asked her to please come help care for Clara’s first grandchild, and Mrs. Fox’s first great-grandchild, a boy named Aaron. Sadly, but sadly not uncommon, Aaron’s mother and father, emotionally unprepared for parenthood, had split soon after he was born. The young mother was heartbroken, back at her work by day, bookkeeping and scheduling service appointments for a Land Rover car dealership, and thoroughly exhausted at night, so it became Clara’s responsibility—“my opportunity,” she said when she explained all this to Mrs. Fox—“to help raise my first grandchild.”

But Clara needed her mother’s support. Could Mrs. Fox please come to Vancouver for a few weeks to help, because Clara also worked full-time as the office manager at a cardiologist’s clinic, a great job she was in no financial position to give up. Of course Mrs. Fox could, and she did, but never suspecting that a few weeks would turn into nearly a year.

In Mrs. Fox’s place, Clara’s youngest daughter, Alice Danvers, twenty-three, had moved into her grandmother’s home in Ashville. She’d come to help Mrs. Fox pack, and while so doing discovered that there was a teaching position for the second grade at the local grammar school. Alice had majored in education at college back home. Since she hadn’t found a position yet in Vancouver, and she was itching to try living someplace else, Alice applied for the job in Ashville and to her amazement was hired.

“We love your grandmother,” the principal said when she told Alice the good news. “I miss being able to visit her at the bookstore.”

Would Alice be able to last an entire school year in Ashville? She had some very real doubts. But a job is a job, especially a first job in one’s profession of choice, and the only way to get to your dream job is to start somewhere. Alice accepted the offer to teach in Ashville but with many conflicted feelings.

Ashville was, just, so . . . “effing,” one of Alice’s favorite words, quaint and mumsy. It was the complete opposite of where she saw herself living and working.

Could she, would she, ever fit in?

When her first day of teaching school came, she panicked. Among her chief concerns what the effing hell was she going to wear? She didn’t own any floral prints and corduroy, which she assumed all the teachers would be wearing. Beware of any enterprise that requires new clothes, she’d once read. So she wore what she’d have worn wherever she was. Alice’s teaching uniform consisted of a pair of black jeans, black cotton T-shirts—her favorite said I’LL STOP WEARING BLACK WHEN THEY INVENT A DARKER COLOR in big block letters across the chest—and motorcycle boots. No one at school seemed to mind.

Where Mrs. Brown and Mrs. Fox were the same age, born just two months apart and both Ashville natives, Alice and Mrs. Brown were worlds and generations apart. Nevertheless, her grandmother had asked for just one favor when she told Alice she could live in her place rent-free.

To please look in on Mrs. Brown daily, and make sure she never felt lonely or neglected.

It was the night before Mrs. Fox left for Vancouver. Alice was helping her pack.

“Emilia isn’t like the women of your generation,” Mrs. Fox said. She handed Alice a silk scarf with a rose print on it that she hadn’t worn in years, and wasn’t planning to bring to Vancouver.

“You tend to overshare, dear.”

“What? I don’t overshare, Granny,” Alice said, tying the scarf around her neck. It looked very 1950s, and she liked that. It was corny and glamorous. In her all-black wardrobe it would strike a cool note of irony, she thought, especially in quaint Ashville, if anyone here would ever notice and get the message.

“Emilia is very private,” Mrs. Fox said.

What was her grandmother really talking about? Alice wondered. She kept quiet, and listened.

Mrs. Fox explained further. “It’s not that she is secretive, it’s just that still waters run deep in Emilia.”

Now whenever she spoke to her grandmother on the phone, which was usually once on the weekend and once midweek, Alice was expected to update Mrs. Fox on how Mrs. Brown was getting along. Meanwhile, Mrs. Fox and Mrs. Brown were communicating by letter, if you can believe people still do that, handwritten letters sometimes as long as three pages each.

And, so, a routine emerged for Alice that year in Ashville. As had been her grandmother’s habit most evenings when Mrs. Brown got home from work, Alice sat at the older woman’s table and visited, sometimes eating supper, sometimes not, depending on their appetites, and always sharing the day’s news.

This happened not every single night—a woman has a life, even in as small a town as Ashville—but many nights, five out of seven on average—Alice visited with Mrs. Brown. At first she did it because she’d promised her grandmother, but soon enough something about Mrs. Brown’s manner—even if it was sometimes perplexing—also very much appealed to her.

The nightly visits, the ongoing narrative, and the reliable exchange of kindness between them became an anchor for Alice. They were different generations for sure, but she came to respect their differences. On many occasions Alice held her tongue—and swallowed the swearing words that otherwise peppered her vocabulary when she was speaking to her peers online or in person.

This particular evening in November, more than three months since her move to Ashville, Alice sat at Mrs. Brown’s kitchen table drinking a cup of mint tea, listening to her enthuse about her day off tomorrow, actually two days off because she had worked seven straight in a row last week. Mrs. Brown was very much looking forward to assisting in the inventory taking at Millicent Groton’s house. In fact, she was thrilled.

For generations Mrs. Groton’s family had lived in an exquisite Federal-style house in the best part of Ashville. According to an Architectural Digest magazine article that Mrs. Brown had once read at the Ashville Public Library, the house had twenty-two rooms filled with important American furniture and paintings. And for as long as Mrs. Brown could remember—back when she was a little girl walking with her mother from their part of town to the finer section of Ashville for church on Sundays—the house had never failed to glisten behind its massive wrought-iron fence. The mansion was painted white as a heav...

"So genteel, so old-world, so self-effacing, so full of surprises--Mrs. Brown's entrance into the world of high fashion will delight you. She'll change the way you look at certain women, and she'll stay in your heart forever. Only Bette Davis could portray her remarkable excursion to New York when she goes on a secret mission that will bring you to tears." (Ilene Beckerman, author of Love, Loss, and What I Wore)

"In the gentle hands of Billy Norwich, the tale of the odyssey of a simple woman, an "invisible" woman, to the city becomes a wise and sensitive statement of the dignity and decency of ordinary lives. The moving and wonderfully entertaining Mrs. Brown has great heart and a real soul. Thank you, Billy, for this very human tribute to the women who too often pass unseen, quietly and courageously carrying on." (George Hodgman, author of Bettyville)

"My Mrs. Brown is a delightfully charming and poignant story that gets to the essence of why style matters, as a deeply personal expression of both who we are and who we want to be." (Kate Betts, author of My Paris Dream)

"Much like the classic Oscar de la Renta dress this charming book pays homage to, My Mrs. Brown is lovely, timeless, and a pleasure to behold." (Susan Rebecca White, author of A Soft Place to Land and A Place at the Table)

“An unassuming yet magnetic older woman becomes possessed by the notion of acquiring an Oscar de la Renta dress. [A] fairy tale of a novel by fashion writer Norwich...Despite her plain Yankee exterior, [Mrs. Brown] has a dignity and luminosity of spirit that draws people to her... Like its main character, appealing, sweet, old-fashioned—and, at heart, very sad.” (Kirkus Reviews)

“Meet a delightfully old-fashioned heroine in My Mrs. Brown...Even if you find Mrs. Brown anachronistic, with a gentle conservatism of an age long-gone, you come to like and respect her. Then, you come to love her...Goodness really is its own reward, says Norwich’s gentle-hearted book. Better yet, sometimes goodness is rewarded.” (BookPage)

"Smart and touching." (Dujour.com)

“Mrs. Brown's incredible adventures in storming the gates of haute couture...details of heroic persistence, culture and manners and all of the rest of what we are mostly missing these days.” (Liz Smith New York Social Diary)

“As a fashion journalist, William Norwich - Billy to his friends – knows a thing or two about celebrities getting dressed. But it was the anti-celebrity who inspired him to write My Mrs. Brown.” (W Magazine)

"Norwich crafts Mrs. Brown with the sensitivity of a seasoned sculptor....a flawless and immensely enjoyable tale of empowerment." (Patrik Henry Bass NY1)