Lady Macbeth: A Novel - Couverture souple

Chapter One

Anno Domini 1025

Scarce nine the first time I was stolen away, I remember a wild and unthinking fright as I was snatched from my pony's back and dragged into the arms of one of the men who rode toward my father's escort party. We were heading north to watch our kinsman, King Malcolm, second of the name, hold an autumnal court on the moot hill at Scone. Proud of my shaggy garron and painted saddle, I insisted on riding alone in the length between my father, older brother Farquhar, and several of their retainers. Then horsemen emerged from a fringe of trees and came straight for us. As men shouted and horses reared, a warrior reached out and plucked me up like a poppet.

The memories of that day are vivid but disjointed. His furs smelled rancid and smoky; his whiskered chin was broad from my view beneath, trapped before him in the saddle; his fingers on the reins were grimy and powerful. I can recall the russet brown of his cloak, but I do not recall his name. I know it was never spoken in my hearing for years afterward.

Kicking, shrieking, twisting like an eel in the arms of that stranger, I managed to tear his dagger from his belt, slicing my thumb like a sausage. With no idea how to handle the thing, I meant to defend myself. A fierce urge insisted upon it.

He snatched the dagger back, but next I tore the large round brooch from his cloak, shredding the wool, and whipped it upward to jab it into his cheek. That slowed him. Swearing, he released me for an instant, and I lurched from the saddle, falling and breaking my arm in my thud to cold earth. Rolling by accident more than intent, I narrowly missed the forelegs of a horse as my kinsmen thundered past me.

Shouting then, and steel and iron clashed, and within minutes of yanking me from my pretty saddle, the man was dead, and two of his guard with him. My father and the others took them down with swift and ugly certainty.

Huddled beside the road on the frosted earth, I watched, arm aching, heart slamming, while men fought and died. Until then, I had never seen a skirmish, nor so much blood. I had heard steel ring against steel in the practice yard of our fortress in Fife, but I had never seen blade sink into flesh, nor heard the soft, surprised gasp as the soul abandons the body without warning. Since then, I have heard it too often.

I own that cloak pin still, good bronze and smooth jet, and I will never wear it. In the little casket with my jewels, its dusky gleam reminds me to stay strong and wary.

My brother, Farquhar, died of the wounds he took in my defense. I saw the angled sprawl of his body, though my father's men shielded me from the full sight. I remember, too, the taste of my salt tears, and my father's roar of grief echoing in the chill air.

Farquhar left a small son, Malcolm, and a pale wife with a grieving spirit, who soon returned to her Lowland family, leaving Malcolm to foster with Bodhe. My father found solace in the boy's presence, and he swore to discover who had plotted the attack that had nearly taken his daughter and had killed his son.

Through subtle inquiries, Bodhe learned that the men were sent by Crinan, the lay abbot of Dunkeld as well as mormaer--the Celtic equivalent to Saxon earl or Norse jarl--of Atholl. He was married to the king's eldest daughter. My father already loathed him as an arrogant fool, and now outright hated him. At the king's next judgment court, Bodhe accused Crinan of Atholl of plotting to abduct me to marry Crinan's son Duncan, a young warrior, and of cruelly killing Farquhar mac Bodhe. Denying all, Crinan claimed that Bodhe attacked his men without provocation, thereby inviting Farquhar's death himself.

The guilty party would have to pay cro, a customary penalty in recompense, a certain amount of livestock or other goods according to rank. While they awaited the king's decision, tensions were such that Bodhe and Crinan nearly came to blows, but for the king's housecarls who stood between them.

Justice stumbled on barren ground that day, for my father paid, as a prince, many cows each for Crinan's deceased men, some to their families and some to the king. Crinan basked in smug victory, keeping the fat coffers of his church at Dunkeld, and the continued favor of his royal father-in-law. The king, old Malcolm, showed no loyalty toward Bodhe and Farquhar, his own blood kin. My father never forgot it. Added to past offenses, the whole was fuel for fire.

Early on I learned why we despised Malcolm's faction of our kinsmen. Our kin group had endured the deaths of others, including Bodhe's father, King Kenneth, the third of the name. He had been murdered by then-young Malcolm, called the Destroyer, who took his cousin's throne.

My blood had even more merit once Bodhe had no other heir. Because I am descended in a direct line from Celtic kings, the purest royal blood courses through me and blushes my skin. I could prick a finger and it would be gold to some.

I am Gruadh inghean Bodhe mac Cinead mhic Dubh--daughter of Bodhe son of Kenneth son of Duff. My grandfathers going back were kings of Scots, and I was born a princess of the house of Clan Gabhran that boasts Kenneth mac Alpin, the first king of Scots and Picts together. The line reaches back to the Picts who were native to this land, and the Scotti who came over from Ireland to settle as the Dalriadans in Argyll. We are proud of our heritage, and know the old names by heart: son of, son of.

My lineage combines the ancient royal branches of Scotland through my father, and through my mother, the proud line of the high kings of Ireland back to Niall of the Nine Hostages and beyond. Our old tree has many branches, some warring and some not, and divides along two main trunks, Clan Gabhran and Clan Loarne, descended from a single king, ages past.

Because a man could claim the throne of Scotland by marrying me, I was not safe. Nor were my kinsmen, come to that: if they were killed, one after another, our line would be eliminated at its heart, making room for others' ambitions. Such is the way of things when one's heritage is ancient, pure, and royal.

Little good did the blood of ancients do me. I was like a lark spiraling upward, unaware of the hawks above judging time and distance to the prize.

“A compelling book, vividly realized with fascinating detail.”—Rosalind Miles, international bestselling author of I, Elizabeth

“Forget everything you ever knew about Lady Macbeth! This the real deal, immediate and powerful. Combining fresh new scholarship with a rare gift for storytelling, Susan Fraser King brings to life the true Scottish Queen–brave, wise, and altogether enthralling.”—Susan Holloway Scott, author of Duchess: A Novel of Sarah Churchill

“Lady Macbeth paints a most intriguing portrait of the woman we thought we knew. A richly detailed, beautifully written, and moving story.”—Loretta Chase, USA Today bestselling author

“Weaves fact and fiction seamlessly, and transports the reader to eleventh century Scotland. Fluidly written, sometimes lyrical, Lady Macbeth is fascinating, exciting and memorable.”—Edith Felber, author of Queen of the Shadows

“Spinning her tale from the steel and bones of history, Susan Fraser King tackles one of literature’s most famous villainesses, and utterly transforms her. With vividly drawn details and richly believable characters, Lady Macbeth takes place in a Scotland that feels so authentic readers can smell the heather and feel the cold northern winds; this novel will forever change the way you view Macbeth and his lady.”—Mary Jo Putney, New York Times bestselling author

"King is an exceptional medievalist who has moved from historical romance to historical fiction with a novel exploring the life of Lady Macbeth—not Shakespeare's Lady Macbeth, but a full-blooded woman with a warrior's heart and a politician's mind.  She will surely influence the way readers view Macbeth and his queen in the future.”—Romantic Times

“Historical romance novelist King leaps into deeper historical waters with this captivating take on Lady Macbeth, who tells her side of the story with a forceful, uncompromising daring...Based on historical evidence and recent theories of the era, this is an epic tale written in high-voltage prose. King’s novel will thrill lovers of Shakespeare adaptations and delight anyone who wants to enjoy a ripping tale of love and ambition.”—Publishers Weekly

“A fascinating, layered story: King’s novel turns Shakespeare’s play on its ear, setting history against fable as it brings a nuanced and fierce truth to the life of the much-maligned Lady Macbeth.”—Eloisa James, New York Times bestselling author