For the Soul of France: Culture Wars in the Age of Dreyfus - Couverture rigide

France’s internal divisions found a new theater in which to speak when, only days after the proclamation of papal infallibility, war broke out with Germany. Since 1866 Otto von Bismarck, the Prussian prime minister, whose grand design was to forge a German Empire in the heat of war, with Wilhelm of Prussia as its sovereign, had been carefully devising a casus belli against France. History abetted him when the Spanish throne fell vacant. Bismarck persuaded King Wilhelm’s relative Prince Leopold of Hohenzollern to present his candidacy, knowing full well that France could not allow itself to be pinned between two of that family. Leopold subsequently withdrew his bid at Wilhelm’s urging, but his gesture did not mollify France’s foreign minister, the Duc de Gramont, who insisted that Leopold should never again be allowed to come forward. Wilhelm refused, and the matter might have rested there had Bismarck not made the refusal sound contemptuous by mischievously editing a telegram from Wilhelm to Louis- Napoléon. Inflamed by the press, which geneally denounced Prussia’s “slap in the face,” Frenchmen mobbed the streets of Paris. On July 14, 1870, an order to mobilize was issued. Two days later, deputies voted funds for war, with only 10 of 255 in parliament dissenting. The huge crowd outside the Palais Bourbon was jubilant.  One witness thought that the scene might have been not much different at the Colosseum in Rome when frenzied spectators climbed the Vestals’ tribune to demand the execution of a gladiator, little realizing that France herself was the doomed combatant.
Gramont, a militant Catholic, may have been animated by hatred of Protestant Prussia. In any case, war had no sooner erupted than it spilled into the realm of religious politics. French pontifical troops garrisoned in Rome, the last enclave of papal power, were immediately pulled from the city to join battle with Germany. As a result nothing impeded the triumphal entry of Victor Emmanuel’s army.  Although Gramont declared that France could not lose its honor on the Tiber (by leaving the pope undefended) and preserve it on the Rhine, his well- turned phrase rang hollow, for it quickly became evident that Louis- Napoléon’s army was outnumbered, outgeneraled, and outgunned. On September 1, some six weeks after hostilities began, the emperor, under relentless German shell fire, hoisted a white flag over the river town of Sedan. On September 20 the pope, also under shell fire, hoisted a white flag over the Castel Sant’ Angelo. While Louis- Napoléon was abdicating in the Ardennes, Pius IX was declaring himself a prisoner in the Vatican. To French no less distressed by the fall of Rome than by the prospect of enemy troops besieging Paris, it was the consummation of the pope’s martyrdom. “Let us pray that God hasten the moment when France, delivered from the Prussians, but above all from itself, shall deliver Rome from the Italian slough and restore to degraded humankind a Godgiven benefaction it cannot forsake without perishing,” wrote Louis Veuillot. The “Government of National Defense” formed by republicans on September 4 deepened his gloom.
God was in no rush to deliver France from the foreign enemy or from the enemy within, though it seemed for a moment that Veuillot’s prayers had been answered. There would be far more killing, of French by Germans, and of French by one another.
 
Having quickly fought through the Vosges mountains and occupied the belt of country between Alsace- Lorraine and the Île-de-France, General Helmuth von Moltke felt certain that his men could safely camp around Paris until the besieged city surrendered to hunger. Neither he nor Bismarck anticipated one of the more valiant second efforts in the history of warfare. On October 7, 1870, Léon Gambetta, a dynamic orator serving as minister of the interior in the Government of National Defense, escaped from Paris by balloon. He joined fellow ministers at Tours, and improvised a whole new army, the Army of the Loire, which proceeded to drive German troops out of Orléans. Alarm spread all along the enemy line. The Loire valley now became a war theater, forcing France’s extramural government to relocate farther south, in Bordeaux.
But victory along the Loire was a small candle in the gathering night. For many, it flickered out on October 27 when a French army trapped inside the fortress- city of Metz surrendered, freeing large German divisions to serve elsewhere. The ill- trained French often acquitted themselves well, but theirs were campaigns of heroic futility. The siege had reduced Parisians to starvation. Krupp cannons kept lofting shells into the capital from miles away, and German forces marched inexorably down the Seine valley. On January 17, 1871, the last army corps patched together under Gambetta’s provincial administration was defeated near Belfort, between the rivers Rhine and Rhône. Over 150,000 Frenchmen had given their lives since July, in what the historian Michael Howard has called the world’s first total war. On January 28, after several weeks of secret shuttling between Paris and Versailles, where Bismarck had established German headquarters, Jules Favre, minister of foreign affairs (one of those ministers who had not escaped from Paris), negotiated an armistice. Its central provision was that France, in free elections, should form a government with which Germany could treat. By then, implacable resistance to the Germans was the position of only isolated groups: notably, working- class Parisians. Most French wanted peace. Gambetta, honoring, à contre coeur, what he acknowledged to be the general will, resigned his ministry. Up north, wagons laden with food entered Paris, which surrendered the perimeter forts.

Early in February, Paris invaded Bordeaux, or so it seemed when journalists, power brokers, actresses, and boulevardiers flocked south, some to observe the newly elected Assembly, others to convalesce. Bordeaux’s population grew hourly, and almost all the deputies arrived before the inaugural session. One who didn’t was Victor Hugo. Hailed en route from Paris by crowds shouting, “Vive Victor Hugo! Vive la République!,” Hugo met even larger crowds in Bordeaux, where, he, Gambetta, and the future prime minister Georges Clemenceau, among others, joined against conservatives eager to buy peace at any price. They were a minority within parliament, but these republican stalwarts found support outside it among Bordelais whose demonstrations became so boisterous that light infantry and horse guards were summoned to patrol the streets. The horse guards closed ranks on February 28, when Adolphe Thiers— elected chief executive ten days earlier with a mandate to negotiate a peace treaty at Versailles— set forth Bismarck’s draconian terms. By evening it was common knowledge that Germany wanted most of Alsace and part of Lorraine. Furthermore, German troops would occupy French territory until France had paid reparations in the amount of five billion francs. On March 1, after hearing eloquent protests, the legislature yielded. “Today a tragic session,” Hugo wrote in his diary. “First the Empire was executed, then, alas, France herself!” 
At its penultimate meeting in Bordeaux, the Assembly, led by a conservative majority who feared Paris—where three revolutions had taken place since 1789—voted to reconvene on March 20 at the palace of Versailles.
Governing from Versailles conveyed a political message distasteful to republicans. But of greater immediate consequence was the Assembly’s decision to end two moratoria that had eased the pain of Parisians trapped and unemployed since September 1870: one suspending payment due on promissory notes, the other deferring house rent. The measures restoring their obligations promised further hardship to several hundred thousand inhabitants of an economic wasteland and alienated the capital en masse. Debt- encumbered shopkeepers, idle workers, and artisans whose tools were in hock made common cause against an enemy all the more vengeful for being French. Indeed, the German soldiers camped outside Paris became mere spectators, as hatred of the foreigner turned inward.

The legislature might not have been so obdurate had Paris not previously challenged its authority. After the elections of February 8, republicans in Paris had presumed that the Assembly’s conservative majority— provincial deputies for the most part— were determined to restore throne and altar, and their anger voiced itself through the National Guard, a democratized version of the bourgeois militia founded in 1789. It became a quasi- political organism, and on February 24 delegates from two hundred battalions ratified a proposal to replace the centralized state of France with separate autonomous entities— confederated “collectivities.”
For Thiers, reports of troops breaking ranks all over town brought back memories of February 1848. At that time he had urged Louis-Philippe to leave Paris and recapture it from without, but the king had rejected his advice. This time, God alone stood above him. As soon as he had left the city, he issued general evacuation orders. Forty thousand army regulars were thus marched out of Paris, never to serve again. Up from the provinces came fresh conscripts “uncontaminated” by the capital, and before long one hundred thousand men occupied camps around Versailles. The day of reckoning was imminent, Thiers proclaimed on March 20. Forty- eight hours later, Versailles accepted the role Germany had played several months earlier. It declared Paris under siege once again. 
In the city, forsaken ministries were staffed by tyros who somehow improvised essential services. The National Guard’s Central Committee served, perforce, as an alt...

"Brown has the rare ability to write reliable and well-researched history for a broad nonspecialized public. Francophiles, in particular, will love this book."

—Susan Rubin Suleiman, The New York Times Book Review

"Brown’s storytelling is vivacious and fluid, but he also keeps a firm hand on his chronicle, bringing order and perspective to these often chaotic times . . . For the Soul of France offers a great deal of instruction and many narrative pleasures (even for a French reader). After reading it, visitors to the City of Light, and Parisians themselves, may never look at the Eiffel Tower and the Sacré-Cœur quite the same way again."

—Michel Gurfinkiel, The Wall Street Journal

"Richly illustrated . . . an important work of cultural and intellectual history."

—Library Journal (starred)

"For the Soul of France is masterful history, brilliantly researched, and hard to put down."

—Henry A. Kissinger

"For the Soul of France is a very good example of cultural history. It suggest that even in the heyday of bourgeois materialism, the most important, and often decisive, matter was what large groups of people preferred to think and believe. His episodes are well-selected, and their developments well-written."

—John Lukacs, author of Budapest 1900: A Historical Portrait of a City and Its Culture; Historical Consciousness: Or, The Remembered Past; The Duel: The Eighty-Day Struggle Between Churchill and Hitler

"A master of the fin de siècle, Brown will engross Francophiles."

—Booklist

“Nobody outside France writes better about French history and culture in the late 19th Century than Frederick Brown, and his latest book, FOR THE SOUL OF FRANCE, brings to life for anyone who enjoys history, the Third Republic's immense eruption of scandal; artistic, scientific and technological innovation and creativity. It is a period of
artistic triumph and of political turmoil, the latter increased by the ferocity of a nation divided by defeat in 1871, and by a moral and religious schism that culminated in the Dreyfus Case. The names alone--Gambetta, Thiers, Eiffel, de Lesseps, Zola, Boulanger, Clemenceau--mark the richness of the era, with its fatal combination of dissent, pugnacity, fin de siecle bourgeois luxury and revolutionary art, all of it overshadowed by the thirst for revenge against Germany that brought France to enter the First World War, and the martyrdom of a whole generation, with such misguided enthusiasm. This is the world that ended in 1914 and that all of Europe would look back on with such nostalgia and regret; it is an epic piece of history on a grand scale, full of deeply disturbing resemblances to our own.”

                     —Michael Korda, author of IKE, ULYSSES S. GRANT and WITH WINGS